loading

All watermarks will be removed before printing.

During the winter / spring my early morning routine has been wake up, check the weather, shower, eat, and then leave for work ... either with or without the camera based on the weather report. On this particular morning I woke up, saw "Clear" skies (0% clouds) and sadly realized today wasn't going to be the day to find a sunset. I was kickin' myself because the sunset the night before was absolutely spectacular and I had my arse glued to my chair editing some portrait photos instead of out somewhere shooting. About to leave for work, I instinctively grabbed my gear, put it on my back, and was about to walk out the door when I remembered today was clear skies and I should just leave my stuff at home. After a full day of working I walked outside and looked up to see some beautiful clouds in the sky. Thinking I better not make the mistake two days in a row I immediately sent Willie a text message. Only ... he beat me to it and I already had one waiting for me: "the clouds look awesome." I replied "should we go somewhere?" as I walked into the gym. I was scheduled to meet with a personal trainer to go over a new workout but as I waited for the guy, Willie wrote back "I'm leaving for Natural Bridges in a sec. You in?!" I typed "I'll be there in 10" but before I hit send I realized ... CRAP!!!! I LEFT MY GEAR AT HOME!!! ARGH ::hair pulling:: I decided I'd skip the personal trainer, race home to grab my stuff and meet Willie at Natural Bridges in Santa Cruz. I managed to avoid a bunch of traffic and arrive at Natural Bridges with plenty of time to scout. Looking at the sky it was either going to be glorious or it was going to be awful. Willie and I scouted for a while, trying to find a different composition than the normal "Natural Bridge" that everyone shoots. The sun was setting in the wrong direction to shoot the bridge but if the sky lit up like it had the previous night (see Rich's photo) we might get some color. As the sun dropped I quickly realized I had to point in a different direction and decided I'd use a piece of driftwood as my foreground element. After a couple minutes I wandered away and then I looked back and Willie had picked up on my queue and was back at the driftwood. That's when the sky started lighting up right in my original composition! I raced back to the driftwood and setup, waiting for some big waves to give us some water motion. As we waited, the sky went from a dull gold, to absolutely beautiful oranges, and then as the orange faded, the back left of the sky filled with pinks and purples. An explosion of color at Natural Bridges! Both Willie and I went home very happy campers! Color cast removed using D-Breezy's instructions. Nikon D700 w/Nikkor 24-70mm f/2.8G ED AF-S: 24mm, f/16, 0.3 sec, ISO 100 HiTech 0.9 Reverse ND Grad

Natural Explosion

Aaron M

Image: 8725609

48.8
Pulse

Canvas [ ? ]

Paper [ ? ]

Aluminum [ ? ]

Acrylic [ ? ]

Birchwood [ ? ]

Canvas Gallery Wrap

Floater Frame

Traditional Canvas

Framed Print

Paper Loose

Aluminum Floated

Acrylic w/ Standoffs

Framed Acrylic

Birchwood

Aluminum Mounted

[size guide]

Outer Size:

WAS

NOW
PRICE
$0

Each image is a fine art giclée print on the material you choose. This method of spraying archival inks ensures color accuracy, vibrancy and luminosity for a picture perfect print, true to the original photograph.
Each image is framed by hand in Austin, Texas by our seasoned framers. Get the same quality as a frame shop, at the best price, delivered straight to your door, ready to hang.
Orders are shipped to your home or business via FedEx Ground. All artwork is securely packaged in double-walled, FedEx-approved corrugated boxes to ensure your artwork arrives safe.